learn to draw
&build a gentle
sketchbook practice
This class will combine lecture, tutorials, and practical art skills to help you start drawing confidently anywhere life takes you.
While you learn skills and techniques, you’ll uncover how the power of self-compassion can sustain a sketchbook practice for the long haul!
when?
Sunday Evenings November 1st -15th from 5:00-7:00 PM
where?
Diablo Valley Art Supply in Walnut Creek, CA (1501 N California Blvd)
purchase your seat:
$159 for 3 sessions of 2 hours of instruction
“Before I took this class, I wanted to have a daily-ish sketchbook practice, but I had a zero-days-a-week sketchbook practice. Even though I'm not completely new to drawing, my sketchbook felt intimidating. Mel's class was the perfect combination of art skills lessons and the mindset of developing an art practice. They're the art teacher I wish my younger self had.”
Ryn Kingsley - online drawing class student
my drawing class is for you if…
drawing seems intimidating
you wanna make art guided by curiosity & a tender love for the world around you
you’ve been searching for a portable way to play and be present while on the go
you wanna deepen into art in spite of “ai”
you want to pursue drawing as a craft that brings richness to your life
making art with others in-person sounds fun
if one or more is true, join us!
“As an experienced artist it was great taking Mel's sketchbook class to reconnect with my sketchbook practice and try out new materials. While the concepts and assignments were familiar to me, it was nice to go back and brush up on the fundamentals that I hadn't visited in a while. Using drawing materials suggested by Mel made me discover new techniques to bring forward with me as I continue making art.”
Veronica S. - online drawing class student
drawing class syllabus
learning outcomes for each week:
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This week will be all about learning how to use the materials and overcome the fear of the blank page. You will watch me demo how to spot and see with a viewfinder, how to setup and draw objects from observation, and then start exploring the wobbly process that will feel scary at first. But don't worry! I'll be blending tricky and challenging exercises with playful ones to avoid taking ourselves too seriously. You'll be encouraged to work with crayons and thick graphite to simplify what you see. The results will surprise you!
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In week two we will start exploring new ways to see through shape and shadows. You'll learn to draw with an eraser, find out if you're more of a sculptor or an architect with your drawings, and root into which materials bring you the most joy to work with. We will spend some time giving each other gentle feedback on our work because in compassionate community, our unconscious intentions and magical style emerge. This will be the most supportive critique room, with lots of gentle guidelines to frame our discussions.
After compassionate critique, we will build intentions for how you want to use your sketchbook long term. Sketchbooks can be our best teachers!
We will end class with a lesson on drawing from nature. We'll discuss spotting and attempting to draw compositions in nature, and what it means to have fun and adapt to being wrong. If uncertainty or perfection tends to stop you, you're going to love this lesson.
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In our final week we will learn how to break the rules and do things in our unique way. We'll talk about how to design and create spreads, understand how different versions of one image can reveal interesting things and learn strategies for integrating text into our sketchbooks. You’ll get a lecture from me on designing your pages and finding resources to study from, as well as what do we do when we stop our practice or fall out of the habit.
In this class we will also have another compassionate critique session and then dive deep into using self-compassion and our sketchbook intentions to keep us persisting and building our practice of drawing. You’ll walk away from this week ready to integrate this practice into your busy life. Understanding the ups and downs of creative flow and feeling ready to maintain your work for years to come, and build some excellent relationships with fellow artists who can keeps supporting you along the way.
Meet your Instructor
I’m Mel Mitchell-Jackson and I am a practicing adventure artist, which means the knowledge I share with you comes from doing the work. I spend several days a week in my studio, painting in nature, and showing my art regularly online and off.
Making art as a working class person with a busy life is all about finding balance between making and maintenance. I love helping folks connect to their craft, refine their work, and uncover the why that keeps them making long term.
FAQ
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Goodness yes, it is definitely for beginners. It’s actually an expanded and revised version of a class I taught in person last spring that was called “Getting Started with Drawing — THE BASICS.” I learned pretty quickly though that not everyone in class was needing only the basics. Some were, of course, but a lot of folks coming in were at different levels, switching mediums, looking for encouragement, feedback, and guidance to keep going. This is why I rewrote it to include self-compassion!
In the class I will demo the absolute basic building blocks of drawing, things like composition, shape, value, how to see and measure objects from life. The assignments will be framed to support artists just coming back to the craft for the first time since they were kids and artists who are a little further along, but wanna deepen into drawing.
If you want to build a new rhythm for your drawings and to brush up on skill, this is the class for you. If you just want feedback on your practice, it’s also the class for you.
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This class is definitely for you if:
Drawing has always seemed intimidating and activates your inner critic
You want the art you make to be guided by curiosity and a tender honoring of the world around you
You've been searching for an analog way to play that feels fun
You're longing to deepen into the process of making art, rather than the product or result
You want to create through drawing as a meaningful craft with manageable goals to keep improving
Having community around to support your art sounds amazing
This class is for beginner and intermediate artists looking to build, sustain, or restart a practice of keeping a sketchbook for self-study. No previous drawing or art experience is needed for this class.
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You’ll leave class with an understanding of how to use drawing materials to define value, shape, and spot from life. You’ll have the simple basics on how to draw from nature, and how to maintain a drawing practice over time by setting clear intentions to come back to when you fall off.
This isn’t a class where we are all going to draw the same thing, and you follow along with my ideas step-by-step. (like you would at a sip n sketch/pinots palette kinda deal) I don’t like to teach in that way!
While I’ll be demoing plenty of techniques you’ll be able to rewatch later and copy each step if you want, my goal is to help you understand the basics of how to draw while applying them to your interests and art style. I want you to draw like you, not copy me. My goal is always to help my students develop independent interests and techniques.
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the supply list for this class is quite simple. We will focus on using graphite, crayons, and markers during our time together.
Have supply questions? When you purchase the class, i share detailed suggestions for each supply on our class website!
a sketchbook
a set of drawing pencils
Pencil sharpener
a box of crayons
a clip to hold your sketchbook open
two brush-tip markers
erasers, 1 clic eraser, 1 kneaded eraser.
graphite crayon 6B
1 graphitone or water soluble graphite pencil in 4B
1 1/2” paintbrush
1 cup for water
bonus (optional, not necessary. I will demo with these on occasion)
colored pencils
watercolor set (tubes or pans)
fun pens, pencils, and supplies that speak to you/that you’ve had in your collection
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Critiques can feel super vulnerable and scary but I am teaching the concept of self-compassion alongside the specific techniques of drawing for this reason. Self-Compassion is a term coined by Psychologist Dr. Kristen Neff and it is a practice of extending kindness to yourself when dealing with uncertainty and failure - two big things that starting to draw as an adult can bring up!
In my 14 years of teaching, I have found that often students are working with a lack of safety or deep feelings of discomfort from past trusted adults discouraging their art. I had plenty of terrible experiences in Art School with critiques. Rooting in my own experiences and how they made me feel a lack of safety, I am going to hold these spaces in a way that will encourage encourage your creative flourishing.
Self-compassion is the tool we’ll use to tend warmly to our selves when soft struggles arise in our work. When we are new at something, intense feelings will arise and that is okay! The goal is to have a place to land with those feelings and be open to what our art can teach us.
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Self-Compassion is a term coined by Psychologist Dr. Kristen Neff and it is a practice of extending kindness to yourself when dealing with uncertainty and failure - two big things that drawing can bring up! You can learn more about it through Dr. Neffs website.
The use of self-compassion in our class is to teach art through a compassion-centered perspective. To develop a practice we can sustain through the negative emotions it might bring up for us.
In my 14 years of teaching, too often students are working with a lack of safety or deep feelings of discomfort from past trusted adults discouraging their art.
In this class, all feedback, critiques, and conversations are designed to encourage your creative flourishing.
Self-compassion is the tool we’ll use to tend warmly to our selves when soft struggles arise in our work.
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This is entirely the point of my YouTube channel! You should check out this video and this video to get a sense of the vibes I’ll be bringing to the classroom.
ai- free guarantee
at no point during this class or in the creation of the lesson plans have I used or intend to use any form of generative AI. Human creativity is too precious to offload to a chat bot. Everything I create for you will be crafted through my 13 years of teaching expertise with your human experience in mind.
i’ve been keeping an
adventure sketchbook
since 2023 wanna peek inside?
want to read an essay on
why im teaching this class?
In this newsletter dispatch, i share the reasons why i didn’t keep a sketchbook for a majority of my art career.
Yet, coming to the practice 10 years after graduating from art school to recover my creative voice felt, essential.